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Films (Classification Ratings) Order 2021

Overview of the Films (Classification Ratings) Order 2021, Singapore sl.

Statute Details

  • Title: Films (Classification Ratings) Order 2021
  • Act Code: FA1981-S421-2021
  • Legislation Type: Subsidiary legislation (SL)
  • Authorising Act: Films Act (Cap. 107), section 13
  • Enacting Formula: Made by the Minister for Communications and Information
  • Commencement: 1 July 2021
  • Current Version: Current version as at 27 Mar 2026 (per the platform status)
  • Legislative Instrument Number: SL 421/2021
  • Key Provisions: Section 2 (definitions); Section 3 (video games ratings); Section 4 (other films ratings); Section 5 (revocation)
  • Schedules: First Schedule (Video games); Second Schedule (Films that are not video games)

What Is This Legislation About?

The Films (Classification Ratings) Order 2021 (“the Order”) is a Singapore subsidiary legislation instrument that sets out the classification ratings used for video games and films (i.e., non-video-game audiovisual content) under the broader regulatory framework of the Films Act (Cap. 107). In practical terms, it specifies the ratings and the prescribed classification markings that must be used to communicate those ratings to the public.

The Order is designed to ensure consistency and clarity in how ratings are displayed across different media and distribution timelines. It also addresses a transitional period around 1 July 2021, distinguishing between items classified before that date and those classified on or after it, and further distinguishing whether the items are distributed before, on, or after that date.

For practitioners, the key point is that this Order does not itself “classify” a particular film or game. Instead, it provides the legal template for what the ratings and markings must be. The actual classification decision is made under the Films Act regime; this Order supplies the prescribed rating scheme and the format requirements for the markings that accompany classified content.

What Are the Key Provisions?

Section 1 (Citation and commencement) is straightforward. It confirms the name of the instrument and that it comes into operation on 1 July 2021. This commencement date is central because the Order’s schedules contain different parts for content classified before versus on/after that date, and for distribution timing.

Section 2 (Definitions) is particularly important for compliance. It defines two concepts that govern how ratings must appear: “classification marking” and “alternative classification marking”. The definitions are detailed and legally significant because they specify not only the characters/numbers used, but also the symbol, the shape of the symbol box, and the colour scheme.

Under the definition of “classification marking”, for any classification rating, the marking includes all of the following prescribed elements: (a) the character or number (or both); (b) the symbol; (c) the symbol box (square, rectangle, circle, or other shape); and (d) the colour of the character/number/symbol and the background of the symbol box. This means that a rating cannot be displayed in a merely approximate way. For example, using a different font or slightly different colours may breach the requirement if the prescribed colour and background are not followed.

The definition of “alternative classification marking” clarifies that an alternative marking is still a prescribed marking for the rating, even if it differs in font, size, proportion or colour. In other words, the law distinguishes between (i) the full prescribed marking, which includes colour and layout elements, and (ii) an alternative marking that may vary in certain presentation aspects but remains legally acceptable because it is prescribed as an alternative for that rating.

Section 3 (Classification ratings, etc., for video games) sets out where the legal rating scheme for video games can be found. It provides that the classification ratings for video games, and their respective classification markings and information, are set out in the First Schedule, with a split based on timing:

  • Part 1 of the First Schedule applies to video games classified before 1 July 2021 and distributed before, on or after that date.
  • Part 2 of the First Schedule applies to video games classified on or after 1 July 2021, and also to video games classified before 1 July 2021 but distributed on or after that date.

This structure is a classic transitional compliance mechanism. It ensures that content already classified under the earlier scheme can continue to be distributed without requiring immediate re-marking, while content that is newly classified (or newly distributed after the transition point) must follow the updated scheme.

Section 4 (Classification ratings, etc., for other films) performs the same function for films that are not video games, using the Second Schedule. It also uses a timing-based structure, but with more granular sub-division:

  • Part 1 of the Second Schedule applies to films classified before 1 July 2021 and distributed before, on or after that date or not distributed.
  • Part 2 of the Second Schedule applies to films classified on or after 1 July 2021 and not distributed.
  • Part 3 of the Second Schedule applies to films classified on or after 1 July 2021 and distributed on or after that date, and also to films classified before 1 July 2021 and distributed on or after that date.

The inclusion of “not distributed” categories is practically important for rights holders and distributors. It suggests that the legal requirements for markings may depend not only on when the classification decision was made, but also on whether the content has entered distribution channels by the relevant date.

Section 5 (Revocation) revokes the Films (Classification Ratings) Order 2019 (G.N. No. S 340/2019). This confirms that the 2021 Order replaces the 2019 scheme, subject to the transitional provisions embedded in the schedules.

How Is This Legislation Structured?

The Order is short and structured around a simple architecture:

  • Enacting Formula and Section 1 (citation and commencement).
  • Section 2 provides interpretive definitions that control how classification markings must be understood and applied.
  • Section 3 points to the First Schedule for video game ratings and markings, with a Part 1/Part 2 split based on classification and distribution timing.
  • Section 4 points to the Second Schedule for film ratings and markings (non-video games), with Part 1/Part 2/Part 3 splits based on classification and distribution timing, including “not distributed” scenarios.
  • Section 5 revokes the earlier 2019 Order.

In addition, the Order contains two schedules that are the substantive “catalogues” of ratings and markings:

  • First Schedule: Video games
  • Second Schedule: Films that are not video games

Although the extract provided does not reproduce the schedule tables themselves, the legal effect is clear: the schedules contain the prescribed rating categories, the exact classification markings (and alternative markings where applicable), and the associated information required for compliance.

Who Does This Legislation Apply To?

The Order applies to parties involved in the classification and distribution of video games and films within Singapore’s regulatory framework under the Films Act. In practice, this includes rights holders, distributors, publishers, and any entity required to ensure that classified content is presented with the prescribed classification markings.

Because the Order is concerned with the form and content of the markings, it is particularly relevant to compliance teams and legal counsel advising on packaging, storefront display, marketing materials, and any medium where the rating must appear. The transitional provisions mean that obligations may differ depending on when the content was classified and whether it is distributed before or after 1 July 2021.

Why Is This Legislation Important?

This Order is important because it operationalises the Films Act’s classification regime by specifying the exact legal requirements for how ratings must be displayed. For practitioners, the risk is not merely reputational: if a rating is displayed incorrectly—such as using the wrong symbol, omitting the symbol box, or using non-prescribed colour combinations—there may be grounds for regulatory non-compliance.

The detailed definition of “classification marking” signals a strict approach. The law does not treat the rating as a generic label; it treats it as a prescribed graphic and informational element with defined components. This matters for digital distribution as well as physical media. For example, a storefront thumbnail or packaging design that uses a different colour scheme or omits the symbol box could be argued to fail the statutory definition.

At the same time, the concept of “alternative classification marking” provides flexibility. It allows prescribed alternative formats that may vary in font, size, proportion, or colour, which is often necessary for different display contexts (e.g., small icons on digital platforms). Practitioners should therefore identify whether the relevant rating has an alternative marking and ensure that any alternative used is one that is prescribed by the Order for that rating.

Finally, the transitional structure (Parts 1/2/3 of the schedules) is a compliance roadmap. It helps counsel advise whether existing inventory, previously classified titles, or content scheduled for later distribution must be re-marked or can continue under the earlier scheme. This can affect release timelines, marketing approvals, and contractual obligations with distributors and publishers.

  • Films Act (Cap. 107) — in particular section 13 (power to make the Order)
  • Films (Classification Ratings) Order 2019 (G.N. No. S 340/2019) — revoked by Section 5 of this Order

Source Documents

This article provides an overview of the Films (Classification Ratings) Order 2021 for legal research and educational purposes. It does not constitute legal advice. Readers should consult the official text for authoritative provisions.

Written by Sushant Shukla

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